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– Mac OS X: From Finder, Go to Applications, locate and right mouse on the software (Adobe Photoshop CS6 for example) choosing Show Package Contents. Then copy the amtlib.dll ( Amtlib.Framework or Amtlib.Framework.dll, things like that ) at a replacement into Contents/Frameworks/. Oct 20, 2014 When I update my Mac system to OS X Yosemite do I have to remove and reinstall CS6? Or can I leave the program on my Mac and update it when OS X Yosemite is ready? (Yosemite) Photoshop CS6 has been tested on Yosemite. But have your serial number ready. Like Show 0 Likes; Actions; 5. Re: OS X Yosemite and CS6 help needed. After you install CS6 on your Mac, you then need to crack it to use it without asking for purchasing key. Open Adobe CS6kit folder and copy amtlib.framework file; In Finder, select Applications - open Adobe Photoshop CS6 folder, right click on Adobe Photoshop CS6.app, and select Show Package Contents.
Click to expand. We are getting off topic here!However, since this is often a recurring debate, I'd like to elaborate: I am pro, and of course I payed for my CS6. There are many professional freelancers and creative departments still working with CS6 or older. Labeling most CS6 users as pirates is equally invalid. Professionals also like to respect their expenses. I work daily with Illustrator/PS/InD and often use Premiere and AE. Flash is obviously dead, Fireworks was never my favorite, and has been discontinued anyway.
But I haven't seen any great value in newer CC versions since the infamous subscription-only switch. Mercury engine was already available for AE in CS6.I don't know which improvements are there in CC you're so excited about.
For my daily workflow, I haven't heard of any. Well, Photoshop got art boards, maybe that is. However, I'm not willing to throw extra money for that singular feature on a monthly basis. The GUI hasn't changed much since CS3. The new 'features' are mostly gimmicks to me. Speaking of acceleration: e.g.
Premiere is still slower than FCPX.Like said, the (latest and greatest) tool doesn't make you a great artist automatically.The only benefit I see in switching to CC eventually is mobile apps. But Adobe hasn't demonstrated great innovation there yet.
The best drawing tool on an iPad is procreate, and that's not from Adobe (yet?). My personal impression is, that since CS has gone CC subscription-only, Adobe lost track of innovation due to lack of pressure from potentially upgrading customers. Can subscription-based business models slow down innovation progress and new 'killer features'? I believe so.Affinity does interesting things nowadays. Who knows, maybe their software will be the 'gold standard' for creative departments in a near future. Time will tell.
Our media consume habits are on the verge of change; it is unclear whether Adobe can keep up with the innovation pace in the media creation realm.For now, CS6 is still a satisfying tool, for which we've already payed a lot, and would like to continue using it in macOS Sierra. We are getting off topic here!However, since this is often a recurring debate, I'd like to elaborate: I am pro, and of course I payed for my CS6.
There are many professional freelancers and creative departments still working with CS6 or older. Labeling most CS6 users as pirates is equally invalid. Professionals also like to respect their expenses. I work daily with Illustrator/PS/InD and often use Premiere and AE. Flash is obviously dead, Fireworks was never my favorite, and has been discontinued anyway. But I haven't seen any great value in newer CC versions since the infamous subscription-only switch. Mercury engine was already available for AE in CS6.I don't know which improvements are there in CC you're so excited about.
For my daily workflow, I haven't heard of any. Well, Photoshop got art boards, maybe that is.
However, I'm not willing to throw extra money for that singular feature on a monthly basis. The GUI hasn't changed much since CS3. The new 'features' are mostly gimmicks to me. Speaking of acceleration: e.g. Premiere is still slower than FCPX.Like said, the (latest and greatest) tool doesn't make you a great artist automatically.The only benefit I see in switching to CC eventually is mobile apps. But Adobe hasn't demonstrated great innovation there yet. The best drawing tool on an iPad is procreate, and that's not from Adobe (yet?).
My personal impression is, that since CS has gone CC subscription-only, Adobe lost track of innovation due to lack of pressure from potentially upgrading customers. Can subscription-based business models slow down innovation progress and new 'killer features'? I believe so.Affinity does interesting things nowadays. Who knows, maybe their software will be the 'gold standard' for creative departments in a near future. Time will tell. Our media consume habits are on the verge of change; it is unclear whether Adobe can keep up with the innovation pace in the media creation realm.For now, CS6 is still a satisfying tool, for which we've already payed a lot, and would like to continue using it in macOS Sierra. Click to expand.If Apple could write a decent OS that isn't fundamentally flawed and forced the users to upgrade just to get a working OS then we wouldn't have an issue.I am so glad that you have a bucket of money and can splash it around to keep paying Adobe for the updates that will never get used.I have already paid the thousands for CS3, CS4, CS5 and finished with CS6 with no real need to go beyond that.
The Photoshop works with my Camera and I have no need to upgrade that hardware. The Illustrator does all that I need it to do. My terrific designer is still using CS4 with his MBP 2008 and produces superb work. I designed my web site just fine with DreamWeaver. I have no need to spend more money to gain nothing.The problem is not really Adobe, but Apple for1.
Forcing everyone to upgrade to newer versions of OSX as since the death of Steve, the QC has been non existant2. Not fixing the bugs that you have in your past OS rather rely that everyone will move to the next itteration3. Not supporting the past software such as Java6 because of the prior two points in the current OS. Click to expand.I'm sorry, subscription doesn't work for everyone, every business, every workflow, etc.I've worked in the printing industry since 1997 and have computers older than you likely are.
One of my machines dates back to 1987, another 1993, another 1999; all functional all have different OS', and different software. The oldest machine runs plates for our press. That's it, it does nothing else. Others run pagemaker, quark xpress 3, the earliest version of extended suitcase, the 99/G-5 machine runs a dual OS.
Running quark 4/ pagemaker, illustrator 5 (I believe it is) photoshop 6 (I may have the two swapped), then on OS X on the same machine quark 6, Adobe cs2, pagemaker (first OS X version before they combined it and indesign to one program), freehand mx, and a newer version of extesis suitcase. Then I've got newer machines ranging from 2003 to my newest of 2016, each has a rhyme and reason. But there is no reason to pay a monthly subscription when cs4 works just fine, why fix what ain't broke?
Post Merged, Oct 18, 2016 -We even have some clients whose art is not in a computer at all, their type is done by a traditional 'typesetter' using lead type.We have a windmill press, 4 Heidelberg letterpresses, then several offset presses a 1/c, 2//c, 4,/c and 7/c.Some of the art I have dates back to 1937, it was hand drawn by the (2) owners great grandfather, type was was then set by their grandmother, and it went to print (by their grandfather). It was a 3 person shop then.The clients have the same theory we do, if it's not broken, why fix it?, so why put the art in the computer when we have the original films? Yes we've archived the film by scanning the original to a computer copy, but no matter what, you cannot achieve that same hand drawn look from a computer generated version - even using the original films as a base to copy from. Same with lead type, you cannot produce the same look on a digital or offset press that you can from a letter press.There is a craft that is completely under appreciated and taken for granted since every third grader and sally home maker can buy photoshop now.I spent thousands on my software when I was in school. Subscriptions are just a way to continue getting more more more money, you pay 100x what you paid for the software with a one time payment.
It's like always renting an apartment or leasing a car you'll never own it. I switched hardware and used the apple migration tool to copy my stuff to a fresh install of el cap. I think I have adobe cs5. It came across ok in general, but I had to do the exercise of downloading the older version of java. After doing that, it ran ok.
The reason I mention this is that the app gave a specific error message indicating the missing version of java. I am curious if sierra is ok with cs5, but not curious enough to perform an upgrade exercise to see what happens.I see somebody was able to get cs5.5 going, so my guess is that cs5 is ok with sierra. I switched hardware and used the apple migration tool to copy my stuff to a fresh install of el cap. I think I have adobe cs5. It came across ok in general, but I had to do the exercise of downloading the older version of java. After doing that, it ran ok.
The reason I mention this is that the app gave a specific error message indicating the missing version of java. I am curious if sierra is ok with cs5, but not curious enough to perform an upgrade exercise to see what happens.I see somebody was able to get cs5.5 going, so my guess is that cs5 is ok with sierra. I just upgraded to Sierra 12.3 from 10.8.5.
I finally got Photoshop and Illustrator CS6 and PS CS4 working. IDK if this will help anyone, but this is my experience.PS6 was quirky and illustrator didn't work b/c of the java 6 error. I downloaded java 6 and reinstalled illustrator. They both worked after that. Then I dragged PS CS4 over from a backup HD to the Applications folder and it worked. This took me 4 days to accomplish researching and trying other methods first, so I hope this works and saves some time for some of you.
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